*ENDED* Deadline for applications: Dec 10, 2016 : co-incidence, an experimental music residency

We are very fortunate to be partnering with Non-Event (host organization), Washington St. Gallery (host venue for the week), and Michael Pisaro (our Resident Artist). If you don't know these places/people, please check them out - they're amazing.

We will accept 6 Guest Artists to the week-long Residency.

co-incidence, an experimental music residency is a gathering of experimental composer-performers for six days hosted by Non-Event at Washington St. Gallery in Boston.

This project is based on an expanded view of what constitutes art, music, and the traditional concert. Following the example of the revolutionary arts community Black Mountain College, it will bring together a group of radical artists operating in the boundary-zones of their practice to take part in a residency curated as ‘social sculpture.’ Reflecting the values of experimental music, co-incidence will be allowed to grow organically, strongly influenced by the artists who attend: the directors simply provide a time, space, and loose framework. There will be encouraged but not required peer-to-peer meetings between artists in lieu of official lessons, the people attending will not be labeled as student or faculty, and the residency is tuition-free, with a small, equal stipend offered to the guest artists.

Three important points:

1) The application is free, so please apply!

2) This residency is tuition-free.

3) The Guest Artists are provided a $400 stipend to attend.

(Food [with the exception of a few specific meals] and housing are not provided. We estimate costs to range between $500 - $600 for the week).

please see our website for more details, including the application:


Applications are due on December 10th, 2016.

[Results back on December 15th]

Residency dates: January 24th, 2017 - January 30th, 2017.

If you have any questions you can reach us at coincidence.residency@gmail.com.

All the very best,

Luke Martin & Aaron Foster Bresley

*ENDED* Deadline for submissions: April 17, 2016 : PAF2016

PerformanceArtFestival2016 :   June 10th & 11th

Bunker's annual Performance Art Festival is a weekend long event featuring site-specific performances and art interventions by multi-media artists from across the nation. Artists are encouraged to submit living art, durational and time-based performances, interactive new-media works, installations, documentations, and collaborative works.  Socially minded and political works are supported. After submitting work for review artists will be notified for interviews shortly thereafter. Selected artists will be provided housing and meals for the days of the festival. Our team is currently pursuing funding so artist stipends will be announced late spring.


Submission fee: $10
Submission deadline: Sunday April 17th

Questions? Email bunkerprojects.PAF@gmail.com

*ENDED* Deadline for proposals: Friday, June 3, 2016: OUTSIDE / INSIDE


...is two site-specific performance art events happening on Spectacle Island, and Georges Island in the Boston Harbor curated by Alice Vogler, Drik Adams, Jan Willett and Vela Oma.

There is a rich history of art happenings on the Boston Harbor Islands over the last twenty years, including last year’s installment of TBOS4 on Spectacle Island which was under the umbrella of The Island Arts Initiative that happened on Georges and Spectacle Islands during the summer of 2015. The Bumpkin Island Art Encampment which happened from 2007-2011 and was curated by Megan Dickerson, Carolyn Lewenberg and Jed Speare and was co-presented by Studio Soto, an artist performance/screening/exhibit space in Fort Point; Mobius; and the Island Alliance. Boston Cyber Arts, the National Park Service and Boston Harbor Island Alliance collaborated on an ongoing project on the LED screens at the Boston Harbor Island Pavilion on Boston’s Rose Kennedy Greenway for a 24 month stretch during 2014-2016, and through its public art program (formerly called Vita Brevis), the ICA Boston hosted Art on the Harbor islands in 2007.

We are seeking proposals for site-specific performance art work that responds to the history and natural environment of each island.

This public space in the Boston harbor invites artists to think about their work in a public destination which includes families, tourists and Bostonians. Being conscious and considerate of this audience is a must.

On July 16 the Spectacle Island OUTSIDE/INSIDE event will happen - all work will happen OUTSIDE.

On August 13 the Georges Island OUTSIDE/INSIDE event will happen - INSIDE - all work will happen INSIDE the fort barracks.

Each event will be from 12noon - 5pm.

More about the islands: Spectacle Island and Georges Island


We will be doing three site visits that will include both Georges and Spectacle Island. There are limited spots for each visit so please reserve a spot by emailing outsideinsideevent@gmail.com, with your name and date you would like to join us.

Site visits will be on Saturday, April 23, Saturday, May 14 and Saturday, May 21st, 2016.

Please send an email with the following attachments in PDF or Word format:


Title of piece you would like to present

Proposal of the piece you would like to present with a brief description of your practice. (500 word maximum) - please tell us which island you are choosing.

Short biography (150 word maximum)

Detailed curriculum vitae / resume

And where relevant:

Link to website OR 10 images (maximum) in JPEG format, with image title / date / name

2 links of video (maximum)

Application should be sent to: outsideinsideevent@gmail.com


Deadline for proposals: Friday, June 3, 2016

Applications are reviewed by a curatorial team and notifications will go out via email on: Friday, June 24, 2016.

Applicants are not required to be from the Boston area, though Boston artists are strongly encouraged to apply.

While we encourage artists from every part of the world to apply, we are not able to cover travel expenses, but can offer lodging and some home cooked meals for a few days around each event.

Some important things to know about each site:

Work can be durational or time based

There is a small honorarium for each chosen artist.

The site visits are free!

Your ferry trip to the island on the day of the event is free!

Tides. They really change the entire landscape of the beach area, so check them out.

No fire.

No nudity.

No digging.

No affixing anything to walls or structures without permission in advance.

Be respectful of the island. There are a few places that we need to avoid going. The general request is...if visitors can't go there, we can go there either.

You can only use what you can carry over on the ferry.

Nothing can be left on the islands, no remnants left behind.

There is no electricity at either island.

These events are made possible in collaboration with National Park Service, the Massachusetts Department of Conservation and Recreation (DCR) and the Boston Harbor Now (formerly the Boston Harbor Alliance)

for more information please visit: http://templeofmessages.com/outsideinside/


*ENDED* Deadline for submissions: April 29, 2016 : FLESH CRISIS

Submissions due April 29th 11:59pm CST

Flesh Crisis is a 3-Day performance art symposium held at Charlotte Street's La Esquina Gallery in Kansas City, MO on July 7. 8. 9. 2016 from 7-9pm each night.

Accepted artists will need to provide travel to Kansas City, but upon arrival, visiting artists will have transit, lodging, and select meals during their stay. Additionally, letterhead can be provided for artists seeking grants for travel to the symposium. 

We are looking for a variety of performance artworks, including, but not limited to: endurance, duration, material/object-based work, language-based performance, participatory practices, indoor/outdoor, intimate, profane, and sound/video. 

To Submit Work:
Email the following, in order, as a PDF file to


by APRIL 29th at 11:59pm CST

• CV / Resumé

• 5 Images or a 5 minute video, either of previous work or proposed performance work.

Link to video via Vimeo or Youtube.

• 250 word description of proposed performance, including the following information: Approximate length; Potential equipment needs; Cleaning logistics, and Preferred date of performance.